Gilles Deleuze saw in modern cinema the refusal of the traditional sequence of images by similarity or contiguity in favor of the gap.
The passage, the gap is at the heart of the theoretical reflection of the designer Andrea Branzi, an ethics of intervention that we proposed during his CONFERENCE June 24 at the Arts Decoratifs
.* Like most architects and designers, Andrea Branzi taking the measure of human history that stretches and grows from shapes too complex to allow us a comprehensive and universalizing its future. The idea of progress that has long given the keys of interpretation sytems the world is no longer operative to draw a dynamic of our actions and our lives to a final truth accepted by all.
If we suspend any time mink or universalizing understanding of human history, "go back into the table," says Branzi, abandoning any distance, any prospect or creepage become uncertain as to their destination.
We live in a circular time, "he said, where everything changes without changing, but no definitive solution is cyclical.
By restoring meaning to the gaps, operating mini transformations on existing space that we will more humane and readable hyperextension of our cities.
The great transformations of labor will be born on the microstructure, interfaces are less aggressive, more poetic involving the active contribution of each of us, with its own identity.
design has become a mass design, it penetrates our domestic economies and the interstices of everyday life, the infinitely small to the sevice of ethics and aesthetics of our daily lives.
Its role is important: "Charting of possible models of a frail urbanization" of territories with fluid boundaries and functions unclear, "the models fragile "characteristic of societies where politics, economy and culture have lost the strength of their basis and can no longer coexist in a harmonious system or to confer a stable and robust in our cities."
What else does this society which is expressed through an infinite number of signs and products but can never build the cathedral in which generally recognize each other?
simply move forward, always increase when the center was evacuated by a vigilant attention, aesthetic and human what happens in the gap, the imperceptible, the infinitesimal displacement.
By moving a few centimeters of whole territories, its intermittent nature, experimental and molecular size, design is being "put in place a new tectonic."
• In progress, as described utopian design, progress is it still relevant?
• Illustration: Andrea Branzi Passaggi-
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