the notion of public space for jurgen habernas, historian, was formed in France and England from the 18th century, after the newspaper, lounge and coffee
is a space between privacy and the monarchical state which is still in place is by the bourgeoisie, rising class that needs to keep abreast of how state, changes in credit and economic developments, and also to know and convey their reactions to promote itself
this posture was erased when the state was no longer satisfied to arbitrate and intervened increasingly in administering services and in economic activities and when the public media have become the receptacles of opinion, playing more on emotion than on collective development of thinking and information sharing, obeying the incentives of advertising and advertisers / it the journey takes us through Thierry Paquot
who owns public space and what is the role of the designer?
other countries and European help us find an answer
in Japan, compared to public / private status overrides / person, and the passage of domestic space to the joint space is achieved by a series of Overlapping successive terrace, corridor, alley and passage
in the Arab world, the term public space does not exist / the street is an area fraught with dangers that we protect ourselves by making the blind house, and privatization of public the private / public areas, terraces, stalls /
occurs naturally as much history / the Middle Ages, the street is a place of contact, in the classical period, it is a performance space, the industrial revolution, space traffic and, today, a space of connections and networks
since 1980, public space has become plural: public spaces /
after the common space shared by all, "the street and place have become forms of urbanity but are not the basic element that connects these locations together / street facilitates the meeting, but it can also refuse, "according to Jean Rémy, sociologist
indicates the plural as the power given by the multiplicity of decision makers that the gradual disappearance of the single image and the monopoly of the sovereign state
public spaces have become places of multiple expressions, where each decision maker expresses his tastes, his culture, his training and his intentions, for better and sometimes for worse cases, like many of our outings City
is an individual, that Be it shopping, trustee of building, industrial or elected official who chooses the color of the facade of his shop, the model of its balconies, the architecture of its plants, the design of its nuclear waste containers and the logo of his city
facing him, facing her, is also an individual, the designer who will design the shapes, colors and materials, street furniture, traffic in public areas of light and temperature
insights regarding the financing of furniture, it also fits into the modern / each search and find solutions, such as garden plants in Paris, which finances the creation, manufacture and installation of its furniture / benches, trash cans, planters, water fountains and signage / By the call to private sponsorship
everyone can become a donor today's garden plants
through 1800 euros for a single bed and 3 600 for a double bed, the donor may choose the location for its furniture, with a recognition plaque bearing his name and a brief message of his choice
street furniture tells its time, its design, by its forms and materials, as well as its financing and the steps undertaken for the installation, which are also now, often the designer is well
/ designer and story teller is relay / relay between the private and public, between the individual and the collective and / story teller / he tells the story of the strata of the past, changes in our diets and our body / bigger, fatter, heavier / our aspirations / recyclable materials / facilities and developments decisions among state, local and civil society
Thierry Paquot / public space / the discovery marks / 9.50 EUR
Jean Charles de Castelbajac / lord of the rings / paris 6 installation / operation of the Ministry of Culture and Communication / 2010
