Tuesday, November 2, 2010

Conversion Of Uk To Phil Size

design / brand / young didier saco influenced


Catherine Deneuve, 66, on the cover of stubborn, Jacques Higelin, 70, music morning Jacques Seguela, 76 years to critical mass with frédréric martel, Patrick Chereau, 66 years, louvre bunkers during two months after, 89 years at the Pompidou Center and Jean-Louis Servan Schreiber, 73, competes in bookstores with his praise of slowness with organic patti smith, 64 years, and Keith Richards, 67 years

creation has it become exclusively senior?
media are they now, as the products, niches, in a concentration on only one type of communication for a single type of target?
flaps or have they closed in times of uncertainty, which has not been validated by time and experience?

the young brand is the title of the exhibition that the Museum of Ethnography in Neuchâtel, the men, was installed in summer 2008, with an approach Research on the formation and evolution of the "young phenomenon."
period lent itself, with the commemorations of May 68 and echoing the growing attempts to demonize a section of the youth

the museum has investigated the complex relationships that develop between the youth and the challenge consumption and makes the assumption that, far from causing chaos, the rebellion of the younger helps to invigorate the company as a whole, stressing the importance of paradoxical figures of the revolt and rites of refusal, not only in terms cultural consumption, they are one main engines, but also in terms of socialization and social integration

then why such a low visibility of the young artists?

"the social network," David Fincher's film, provides the answer, "crossing the Rubicon that separates the media themes and providing, on a mainstream media, a new vision of the world, accessible to all young
brand has its own networks, its products, brands, media and its leaders and is not afraid of isolation / she shall, in writing, exchange, sharing, gathers more than has ever been any other generation

it is understandable, given the storms, social and economic reach, she protects / 10% of young people leave school without a diploma, and 24% of them are unemployed, 9 of the cons
workforce can be regretted, despite all the affection inspired Patrice Chereau, patti smith or Catherine Deneuve, their words, their ideas and projects have little access except demonstrations, media
can also search self and find media, images, words, concepts of the young brand

design is copy / place given to student projects and is important for young designers, and events that mark our years / Observeur design, Saint-Etienne / forums are all offered, the time of the event


design gives another answer to the young brand, by erecting time as essential rhythm of our business

the pitfall of assimilation design / fashion has been discarded, and the assimilation of design to the production of quick and ephemeral products quickly replaced, disappeared, thanks to schools, exhibitions , journalists, designers and brands that invest in the use, function, and the time required validate projects and intuitions

as the architect, the designer works the first time as a material /
is time, well beyond the alignment and the 3D model, which just makes our intentions / c
It is the time and experience, which validate and endorse the idea /
it's time to give as much access to the fame / each and everyone has the right to regret it and not be content


Museum of Ethnography Neuchâtel 4 rue Saint Nicolas / CH-2000 Neuchâtel Switzerland / www.men.ch

132 5. Issey Miyake, 72 / Véronique Vasseur / veronique@issey-europe.com

Kate Playground Harcore Movie

Design / Anne-Marie Buille


School of Ulm, left bank of the Danube, functioned only thirteen years (1953-1968), his teaching, his research methods and Creation was the challenge of lively discussions, passionate, sometimes sterile. This manifesto anonymously captures the spirit and it is still oddly relevant.

"Yes, in our society, the design must be considered a social and cultural development, however it should not be glorified as a messianic activity.
Yes, we must consider market economy, in contrast, do not belittle the design to its mercantile value.
Yes, the design must be considered a tool of technological and scientific progress; however, it should not be designed as an end in itself, science and technology.
Yes, the artistic faculty is working in some areas of design, however, the whole design can be seen as an art of substitution.
Yes, under certain conditions, the design can be seen as a critique of consumer society, however, one can not hope to change society by not only transforming the objects it serves.
Yes, there must be a critical consciousness to intervene rapidly in the consumer goods industry and communication, however, do not understand the phenomena of our technological civilization with a critical awareness simply passive and resigned. "Where does

that are posted at regular intervals about the design, the same questions, the same suspicions of submission, the pressure of technology, art, market, fashion, show ... .
The design does not have to protect themselves from any critical attitude, she was defensive,
After all, it marks legitimately questioning, a practice, a position, strategically at the crossroads of influences from all the productive forces of society.

It is simply time to question seriously the autonomy of practice and ambition to become a separate discipline.
It is time to set directions and framework for a systematic investigation, investigating all aspects and modes of intervention design, the types of links it has with all other disciplines, technical, technological, human sciences and Social marketing and communication.
The time has come, particularly for France, out of a design under the influence, to create conditions of possibility of a "genuine design research."

the Ulm school: "Texts and Manifestos Herbert Lindinger.Centre Pompidou
Illustration" The combination radio-phonograph SK4, Hans Dieter Rams and Gugelot
Product copy of the school of Ulm