Berlin 1930: from its defeat in World War I, this very violent struggle between communism installed and the rise of Nazism, its economic crisis, its crisis housing, but also its vibrant cultural life and its sexual liberation, lost all its landmarks and its features clearly, all that comes his Cabara t. While it is a bit the heir to the satirical songs and skits Montmartre, but he never had so much of writers and composers of talent that the supply in words and music. Berlin, city of the "divine decadence" exerts a fascination on the avant-garde artists and intellectuals from all over Europe, they find the unique opportunity will present the results of their research.
In the cabaret, the woman comes out from the shackles that are usually reserved as a Lili Marlene, a Claire Blandine Ebinger Waldoff or which might well be directed by Max Reinhardt, great director Berlin, plays the femme fatale, dressed like a boy, drinking, smoking and talking loudly. The man is also subject to the confusion of genres, he defaces, disguises herself and through sensual dance evokes sado-masochistic practices where it is dominated.
Love, seduction and sexuality are discussed with humor or derision. The themes are almost always the same, but the transgression and the grotesque, individual fates exploded, disappointed denounce social and political dramas much greater.
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