Eleventh edition of the Observer Design held for four months at the Cité des Sciences et de l'Industrie in Paris. First
difficulty inherent in any exhibition design: how to stage a group of objects, it was innovative, where each object is characterized by a unique and attractive value-added, innovation, form, use, comfort, texture and technological invention.
The temptation is to guide a single approach or strategy to adopt a bias scenic "creative" coexists with no real relevance to the discovery of the intelligence of each object.
salute the skill of the design of the Observer 11: there is no conceptual or sinuosity formally or one wonders at the end of a route of exposure that they had come to see.
In the simplicity of the intention to observe the event, to discover and understand each visitor, how designers and companies working to innovate and improve our objects to facilitate the service, and we use them make a nice set design is all intelligence.
Cartels very inventive as we explain bundle to handle objects with humor and pedagogy (designed and constructed with two anthropologists, and Anne Valerie Perlès Pomathiod and designer Nicolas Hubert).
"We tried to accompany the subject, that the public is not idle in front of a design object. We need the public understands what the subject says ".*
intention could be brighter, relying on an extra-highlighting color that creates a path chromatic skillfully and islets surround each class of objects.
Power revelation of light, power vibration, color temperature, all assets that enhance the subject and contribute to making visible the depth and subtlety of its aspects, as many potential expression that design work scenic designers should draw more often.
Any device color light has the immense power to open the infinite space and the register of our perceptions and make the world of objects and living extraordinarily mysterious.
"The color requires its vibration forces, as it may interfere in" breaths chromatic "subtle and light" .*
The Observer 11, a scenography in any light and color on design research that shows the ability of design to establish a complicity between the intelligent search for innovation and the perception of our needs and our expectations of being a curiosity, however, which abuts its mystery, this additional effect, that charm that resists our look and exhausts never any explanation.
The Observer Design - Cité des Sciences Paris until February 21, 2011
presented by the APCI-Agency for the Promotion of Industrial Creation
citation Design * Fax 730 - Jean-Charles Michel Cler Gaté
* color consultant
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